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Joined 1 year ago
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Cake day: September 28th, 2023

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  • PT stands on its own in the horror video game genre IMO. Too many games fail to convey one of the elements of horror well, typically overusing shock and disgust as it’s hard to achieve psychological terror when your art medium has the potential for funny things to happen (like physics objects in amnesia deciding to fling themselves all over the room when you let go because they bounced wrong). Really interrupts the flow of the scared juice. The other half of horror games give you enough tools to completely defuse the horror after an initial few encounters (death stranding) or straight up don’t try to scare you situationally, just acting as combat action games with horror themes (later resident evils).

    PT remakes for PC are in a good place finally, “P.T. emulation” being a bit closer than unreal PT to the source material as a project. How konami could possibly drop a project with star power like kojima+del toro is beyond me, especially considering reception to the demo was GREAT and it was slated to release while streamers playing horror games was still in vogue. Unbelievable fumbled bag lying there


  • It’s so hard to describe contact. It’s like a more exploratory Rune Factory with no farming sim element and swappable jobs like the final fantasy MMOs. I feel like the audience for the game wasn’t targeted well, as it fell in that era where “core gamers” stopped being a popular target audience (we hardly use the term at all these days).


  • Early in the lifetime of the DS, before the 3ds had even been mentioned, a ton of JRPGs released for the platform seemingly in a bid to become the next earthbound or chrono trigger. Most of them were very mediocre, but to this day Contact (published by atlus) and The World Ends With You (square enix) stand out as stellar titles to me. They represent opposite ends of the jrpg spectrum; contact is a grinding game with a very floaty story, whereas TWEWY has an intricate story and a penalty-free swappable easy difficulty setting to help new players cope with the (initially) awkward combat system. Both of them are stand-out in their own ways, with memorable settings and characters supporting the mechanical depth they offer.

    Both of them are games that take advantage of the DS’s unique features, not the microphone but the touchscreen. While Contact is pretty easy on the gimmicks, only requiring you to occasionally peel a sticker or something simple like that, TWEWY’s combat flow has you use buttons to control the top screen while simultaneously doing multiple touch screen gestures, making the game difficult to master on the actual DS and unbelievably hard on an emulator.

    TWEWY has since had a remaster and a sequel, but contact is seldom mentioned anywhere when I see the DS talked about. Worth a look!




  • I’d rather know. Having spent a large portion of my education in the US southeast, I’ve been embarrassed in public by people I considered friends until they said something unacceptable. Whether it’s “being rude to the help” at a restaurant, getting drunk and harassing someone over race, whatever, I’ve not hesitated throughout my life to tell prejudiced people to shut the fuck up and find a new ride home or a new set of friends.

    It’s surprisingly easy to remove yourself from someone you know is denying you a ton of social opportunity. If someone is automatically threatening in your mind because of their race or gender alone, you’re weak, you’re immature, and you drag down everyone who takes time to validate your bullshit insecurities by talking about it, much less participating in it. Delete your twittter account






  • It might disappoint you to learn that among american english speakers, literacy isn’t a good indication of maturity by age. Barbara Bush made a literacy initiative that’s still around, the One Good Thing® left over from the bush regime. The site has a handy map to show you the 40-60% adult literacy rate counties spread all over the states. It definitely helped me come to terms with the fact that sometimes a kid who is trying is gonna be more eloquent than an adult repeating the same tired take they’ve been rebutted for a thousand times.

    It’s easier for me personally to gauge age as it scales up when anonymity is involved - referential humor, recognizance of the ancient runes (Duckroll, Bill Murray’s face with only the jaw moving), and informed chitchat about presidential behavior predating Bush SR are all dead giveaways that a user is older, but with younger users you have a lot of hobby/interest overlap going all the way up to people in their 40s. You can’t look someone in the eyes and see if the light of youth has gone out yet on forums and imageboards.






  • Tripcodes changed after moot sold the site, meaning whoever the original qanon was, there’s literally no way to verify any posts after the change are the same person (they almost definitely weren’t). Also, you can just use trip explorer to “hack” a tripcode, and this was always possible. Identity on 4chan has always been impossible to preserve in a meaningful way on purpose, which is why pretty much every successful 4chan-originated project moved away from the boards to communicate.

    Anyway, it’s not comparable to an account, and judging someone for using a tool rather than what they’re using it for is insane. Social media are tools.